There's quite a bit of Marvel's Spider-Man 2 that can be summed up as "more of the same." Granted, that's a good thing--both the original game and the Miles Morales-focused follow-up feature fantastic reimaginings of their respective Spider-Men, exhilarating web-swinging, and superb combat mechanics. Who wouldn't just want more of that? And sure, more of what came before does mean that Spider-Man 2 retreads less successful ground, like the first game's buzz-killing science puzzles. However, the good far outweighs the bad, and a few new gameplay mechanics freshen up aspects of both traversal and combat. Altogether, it's a great game and one well worth seeing all the way through from its bombastic beginning to its emotional end.

Like the first two games, the true star of Spider-Man 2 is its story. It finally gives us the chance to jump between playing as either Peter or Miles as the two work together to protect New York City from Kraven, a fierce warrior looking to transform the city into his hunting ground. Their personal lives don't fare any less stressful--Peter and Miles are both stuck, struggling to figure out what's next for them. Peter desperately yearns to find a steady job and Miles can't quite find his place in the world while still contending with the trauma of losing both his dad and a close friend within the same year.

The crux of Spider-Man 2 is the cold isolation of loneliness and how Peter, Miles, and all those around them handle it. Both Spider-Men feel adrift at the start of the game, each lost and desperately seeking some form of respite and companionship in hopes of filling that void, but Peter can't quite convince Mary Jane to move in with him, and Miles can only watch from afar as his friends get into college and pursue their dreams while he busies himself with Spider-Man responsibilities. It's an effective draw to pull you into caring about both protagonists as the game flips between them and curates a throughline that connects all of Spider-Man 2's characters--both heroic and villainous--through an assortment of main story and side missions.

There are a lot of elements that might be said to define Souls-like games, but high on the list has to be the genre’s particular approach to pacing. As a group of action-RPGs, they’re defined first by periods of growing, ratcheting tension. You fight through long areas filled with tough enemies, with each one dropping "souls" that you can spend to level up your character, which you risk losing if you die before you reach a safe place where you're able to spend them.

Following the build of tension is the release, when you finally make it to the safety of a checkpoint, stopping to refill your health, enhance your character, and catch your breath before setting out into danger again. You're constantly making the same difficult decision: Do you risk going forward for greater rewards, or return to safety and grow your strength, knowing you'll have to fight through all the dangers you just faced once again?

Though Lords of the Fallen ticks off many items from the list of things that Souls-like games are known for, it's the ebb-and-flow pacing, or rather the lack of it, that vexes the most. There's a combination of elements at play--the game's meandering level design, the spongy enemies you face as you progress, the uneven checkpoint and death systems--that creates a series of long and frustrating slogs. Lords of the Fallen is a game that has all the right Souls-like elements on-hand, but never quite gets the proportions right.

Baldur's Gate 3 pushes player freedom to the absolute limit. That unparalleled level of freedom can be found in nearly every aspect of the game, from its character creation to combat, and after two full playthroughs and a dozen ongoing campaigns, I've still barely scratched the surface. No two experiences are alike, and every character I've created feels unique. While the game can't always keep up with the spontaneity of a real-life Dungeon Master, it manages to offer plenty of agency while also ensuring that its vast, web-like narrative is compelling from start to finish.

Baldur's Gate 3 begins in the belly of a Nautiloid, a Lovecraftian spaceship piloted by a squid-like race known as illithids. After you create your avatar and pick a class, you are infected with a parasite that slowly (and painfully) turns its host into a tentacle-adorned mind flayer. You and the other affected members of your party must find a way to remove the parasites before the transformation is complete. It's a wonderfully dark setup that allows Larian Studios to pull together an eclectic batch of characters with a wide array of beliefs, dispositions, and backgrounds and give them a common goal. These characters aren't adventuring together out of friendship (for the most part), but necessity. In many cases it's an uneasy allyship rife with internal drama and conflict.

Baldur's Gate 3 regularly puts its characters first, and it's better for it. While the narrative isn't all that interesting on its own and basically amounts to "purge the parasite and save the world," the diverse cast of characters makes it so much more memorable by creating an extra layer of nuance that grounds the entire experience with more personal stakes. Karlach is a hot-headed tiefling barbarian with a heart of gold, Astarion is a pompous and flamboyant rogue with just enough charm to win you over, and Lae'zel is a battle-hardened warrior that puts an interesting spin on the fish-out-of-water archetype. There are 10 potential party members in total, and each one is backed by sharp writing, impeccable acting, and spirited animations.

In the US, autumn belongs to football. The sport takes over pop culture in a way no other can match, and after decades of growth, it seems to still be getting more popular. So surely there's room for a second licensed football game on the market, especially when the industry leader is itself so polarizing. That's where Wild Card Football hopes to exist: in the abundant space devoted to football fandom that could host either a Madden alternative, or more likely, a side attraction. Unfortunately, this much more cartoonish take on the sport doesn't quite make the roster, though it's not without a few highlights.

Wild Card Football is an arcade-style football game in the vein of NBA Playgrounds and WWE 2K Battlegrounds. In fact, it comes from the same studio, Saber Interactive, and is billed as part of the broader Playground Sports brand. Somewhere between the enjoyable basketball game and the severely lacking pro wrestling game sits this third take on the format.

Wild Card Football is played in teams of seven, and though it doesn't have a licensing deal with the NFL, it does have one with the NFLPA, meaning current players from every team make up the game's complete roster. Jerseys and team names are legally distinct, but a football fan can easily deduce that Team Mahomes is the Chiefs, Team Hurts is the Eagles, and so on.

Aside from the new name and logo being emblazoned on almost every menu screen in sight, you'd be hard-pressed to distinguish EA Sports FC 24 from the latest FIFA game. In short, EA's latest football sim introduces a number of subtle improvements to its on-pitch action while sprinkling in some incremental additions to long-standing game modes like Ultimate Team and Career. It still offers an exciting, albeit familiar, game of back-and-forth football, but the demanding yearly release schedule isn't doing the series any favors. Even with the fancy new rebrand, EA FC is an expected follow-up to FIFA 23, offering a slight evolution rather than anything revelatory.

As is often the case from one game to the next, the pace of play in EA FC 24 feels a tad slower compared to last year. If history repeats itself, this is likely to change in the coming weeks--particularly once superpowered cards are more prevalent in Ultimate Team--but creating openings via slick passing moves is currently the best way to break down a stubborn defense. It helps that player movement is ultra-responsive, to the point where it's possible to wiggle out of danger without needing to utilize the game's agile dribbling mechanic. This is easier to do with a diminutive and agile player as opposed to someone like cover star Erling Haaland, but he excels in other areas, often bulldozing right through defenses. Either way, the movement of players--and their noticeable differences--looks much smoother than in the past; the connective animations between disparate movements flow together seamlessly. EA adds a deluge of new animations every year, but those in EA FC 24 lend the game a more natural look and feel that's immediately palpable in the way you move across the pitch.

Unfortunately, other areas of the game remain unchanged, much to the game's detriment. Goalkeepers occasionally try to save shots by diving sideways into the goal, which usually results in them either punching the ball into their own net or letting it sail over their heads. Passes will sometimes veer wildly off target, and defending can be frustrating when successful tackles regularly bounce back to attackers, especially when it puts them in a much more advantageous position than they were in before. It doesn't help that off-the-ball AI still has trouble tracking runs, and referees are wildly inconsistent in regards to what is and isn't a foul. I've already encountered a few baffling red-card decisions--although one could argue this is sadly authentic. The removal of driven lobbed-through passes also takes some getting used to, but this seems to have been done in service of EA FC 24's new PlayStyles mechanic.