On paper, Like A Dragon: Infinite Wealth has everything I could possibly ask for in a game from RGG Studio: Kasuga Ichiban from the 2020 RPG Yakuza: Like A Dragon co-leading with series legend Kazuma Kiryu--two characters I love dearly fighting alongside one of the most memorable supporting casts in recent years. It's the best of both Yakuza worlds coming together for a story about life, legacy, and the daunting realities of the world we live in--but, more than anything, atonement and the various forms it can take. It also comes with greatly improved RPG systems that nail the tactical joy of turn-based combat while upholding Yakuza's identity in remarkable ways. And in splitting its time in Hawaii with Yokohama, you get two robust and detailed locations to explore new and old ideas through the biggest suite of side activities the series has had thus far.

For all its comedic absurdity and optional diversions, Infinite Wealth brings its heavier themes into focus--at times--with the kind of dramatic storytelling the franchise has mastered over the years. It's unfortunate to say, however, that the main story loses the thread along the way. By putting unearned emphasis on its least interesting aspects and meandering for much of its runtime, the compelling narrative ambitions it sets up are largely left unfulfilled. That's tough to grapple with for what's supposed to be a monumental passing of the torch between the two beloved leads and one last hurrah for one whose life we've seen unfold across nearly two decades' worth of games. And so, instead, Infinite Wealth becomes a game about individual moments--moments of bittersweet reflection, moments of heartfelt camaraderie, and moments of hype that uplift legendary characters even higher. These are moments that remind you the Yakuza franchise is much bigger than any one game. Even when Infinite Wealth's overarching plotline comes up short in crucial ways, those moments still make it worth playing.

Things kick off with a strong opening that puts the realities of normal adult life front and center, almost as if RGG held a mirror up to my face and made a prologue chapter based on some of the things I've been through. More than just being real and relevant to the average person, this also tees up a powerful theme about the struggles of reintegrating with society after a life of crime, which has frequently been explored in the series from different perspectives. In Infinite Wealth, the theme is used to show Ichiban's struggles, as someone who embodies everything good about being the naive goofball with fists of iron and a heart of gold, and as a person driven by the ideals established in his previous game. Furthermore, the recurring theme of public opinion and internet virality dictating reality sharply foreshadows how Infinite Wealth steeps itself in modern social commentary.

Tekken 8's greatest challenge is building on a fighting game experience that has been refined to close to perfection over the course of eight-plus years, without feeling like it retreading old ground or needlessly upending the foundation laid by its predecessor. Thankfully, it's a challenge that developer Bandai Namco meets by introducing an improved fighting system focused on aggression, an impressive roster of 32 fighters, and one of the most rock-solid online experiences I've ever seen in a fighting game.

The main draw of Tekken 8 is the Heat system, which represents a new wrinkle to an already-satisfying set of brawling mechanics. Certain moves in each fighter's repertoire emit a burst of white energy on contact which, in turn, activates an aura of that same energy around the character's limbs. While in this state, characters can inflict more damage when blocked, gain access to a quick Heat Dash or powerful Heat Smash, and receive a few unique perks depending on the character. Claudio, for example, gets access to enhanced and powerful Starburst attacks while Heat is active, while Leroy can add time to his Heat meter whenever he uses one of his unique parry or reversal attacks, which keeps him powered up for longer. Heat can only be activated once per match, and it's only active for a short period of time, which promotes more aggressive tactics. Although it can be easy to think of this as a comeback mechanic, it has much more strategic utility and versatility which can mean it's used for an aggressive offense or a Hail Mary.

This makes every battle feel like a slugfest, which I find to be a refreshing change of pace for the franchise. Tekken has always been good at getting the adrenaline pumping during a match through the basics of trading fists, but the swings in momentum that a perfectly timed Heat activation can cause significantly amp up the excitement for both players and spectators. Importantly, the new Heat system doesn't pave the way to mindless mashing of buttons to brute force the aggression. While it's certainly possible to win a bout or two by smashing buttons, players who prefer to wait for the opportune moment to strike will often come out on top, and in brutal and cinematic style, they may just need to make some adjustments to account for the unpredictability of mashers. The new Heat System offers a lot to new and returning Tekken players, and the threat of a drastic turn in the tide of a battle at the touch of a single button press makes for tense moments and satisfying flourishes when successful.

I'll admit upfront: I missed Another Code (known in North America as Trace Memory) when it first came out on Nintendo DS. Despite voraciously consuming other DS adventure games like Phoenix Wright, Ghost Trick, 999, and original Another Code developer Cing's other title, Hotel Dusk, Another Code just slipped by me. And with the sequel, Another Code R, being a European Wii exclusive, catching up there wasn't easy to do. So when Nintendo announced remakes of the two Another Code games for Switch, I was eager to correct those wrongs and see what the now-sadly-defunct Cing had put together. To my surprise, Recollection is fundamentally different from the originals in a number of ways--all-new visuals and updated puzzles, for example--and these quality of life improvements helped me appreciate the original game's supernatural mysteries.

Another Code Recollection puts you in the role of Ashley, a young girl who tragically lost her mother at a very young age. Haunted by disturbing memories she can't fully recall, Ashley receives an invite to a secluded island to meet with her long-absent father, and a strange-looking portable device called the DAS. On the island, she finds a well-preserved old mansion and a very unusual friend who also shares her lack of memory… but no dad. In the second part of the game, an older Ashley is invited to Lake Juliet for a camping trip that immediately goes south when her bag is pilfered. In the quest to get back her stuff, Ashley discovers the truths and tragedies of a conspiracy in the background of this placid lake.

Within its long history, Prince of Persia has always been better at leading than following. Its original trailblazing release in 1989 set a new standard for fluid animation and death-defying platforming, and the acclaimed Sands of Time was deservedly praised for its innovative parkour-inspired 3D traversal. Series entries that attempt to chase trends like the gritty Warrior Within, on the other hand, have been less than successful. Prince of Persia: The Lost Crown is the series' first attempt at a modernized metroidvania, which could have easily fallen into the category of competent imitators. But with impactful combat, silky platforming, and innovative exploration mechanics, this latest Prince of Persia makes the series a leader in its class once again.

Breaking with tradition, the eponymous prince in this case is not actually the player-character himself. Instead you play as Sargon, the youngest member of the Immortals--a sort of Persian royal guard by way of Avengers-like superheroes. When a member of your clan betrays the order by kidnapping the Prince and taking him to the mysterious and cursed Mount Qaf, the Immortals give chase to rescue him. The setting allows the story to pay homage to Persian mythology like the benevolent god Simurgh, but this is a very stylized take that doesn't seem concerned with meticulously setting itself at any specific point in history. It's a pastiche that blends history and mythology with hyper-stylized visual flourishes inspired by anime and comic books.

Mount Qaf is an elaborate setting for The Lost Crown, encompassing ancient temples, catacombs, royal libraries, caverns, and more. It was once the heart of the kingdom but has fallen into disrepair following the death of the wise King Darius. And as a cursed mountain, the few remaining inhabitants talk as if they are living outside of the sequential flow of time, frequently referencing things that happened either too long ago, or not yet.

I wasn't sold on The Finals after playing my first match. A single game obviously isn't enough time to come to any worthwhile conclusions, but still, after playing through its brief tutorial--which does a poor job of explaining the game's concepts--I initially felt lost and underwhelmed. Fortunately, this feeling didn't last, and after a few more games, The Finals had its hooks dug in deep. As a fan of the Battlefield series, this wasn't much of a surprise; The Finals is a team-based first-person-shooter with an emphasis on destruction and mayhem, developed by Embark Studios, which counts a number of Battlefield alumni among its ranks. The two games aren't at all similar in a broader sense, but Battlefield's DNA is present throughout, from its snappy shooting to its chaotic destruction.

One key difference between The Finals and most other competitive shooters is that it pits multiple teams of three players against each other, either in 3v3v3 or 3v3v3v3 matches. This multi-team setup leads to a consistent stream of dynamic firefights as each squad vies for control of The Finals' all-important cash. You end up fighting the defending team as they desperately try to hold on, while also scrapping with your fellow attackers, contributing to the game's palpable sense of outright bedlam. It's a vibrant and colorful shooter, too, augmenting its over-the-top action with a game-show-infused style, featuring a rambunctious crowd and excitable play-by-play announcers. Think 1987's The Running Man but with frantic gun battles. The controversial implementation of AI voicework is the only sore topic relating to the game's aesthetic. It's not particularly noticeable, but each line is fairly one-note so the AI doesn't have to extend itself, and either way, its use still feels gross.

There are currently two main modes to facilitate all of this chaos. Quick Cash sees three teams battling for possession of a vault filled with money, which must then be taken to a designated Cashout Station to be deposited. It's kind of like a mixture between Capture the Flag and King of the Hill, typically resulting in all three squads converging on one location for an all-out slaughter. Whoever inserts the vault into the Cashout Station starts a timer that'll bank all of the cash when it runs out, but any of the other teams can steal the deposit without resetting the countdown's progress. This quickly establishes a thrilling sense of forward momentum, primarily because it eliminates the possibility of a stalemate and ensures that the action maintains its rapid pace. There are few moments as satisfying as managing to steal the Cashout Point at the last possible second and banking all of the winnings for your team. The only thing that comes close is successfully fighting back the hordes and defending the point for a prolonged period of time as the world comes crashing down around you.