Before starting Avatar: Frontiers of Pandora, I was reminded of what I think of when considering any open-world game: Killscreen's review of Fallout 4 by Chris Breault, and the opening line, "Here comes the trashman!" Breault discusses an experience of constantly picking up and covering yourself in the garbage scattered around that game's massive world. It's a description that feels highly applicable to most open-world games--huge, but full of refuse that you spend endless hours picking through and carting around, only to replace it with newer, better garbage. Most open-world games are too concerned with filling their worlds, both literally and metaphorically, with a deluge of needless stuff, and it’s why I find the genre can be off-putting.

It's the fear of that torrent of trash that made Avatar: Frontiers of Pandora surprisingly refreshing and also endearing. Frontiers pushes aside some of the concerns about sifting through heaps of junk and clearing incessant icons from your HUD by keeping your screen clear so you can appreciate its gorgeous vistas and strange creatures, thus encouraging you to take in and understand the world around you. Though it still has a lot of open-world staples, like numerous activities and an expansive crafting system, it manages to incorporate them as systems that enhance an overarching feeling of exploration and discovery, and it never bombards you with them. These elements feel like they're meant to help you experience the world itself, instead of just filling it up with more litter.

Two things make Frontiers of Pandora work: its incredible setting and its alien protagonist. I've never had much more than a passing interest in the Avatar films, but Pandora, the lush alien world on which they take place, is an outstanding location to set a video game. It's an enormous and strange place, filled with alien plants, creatures that glow in darkness, and wildlife that towers over the landscape.

At a glance, Thirsty Suitors is a game about revenge. Its story follows the recently heartbroken Jala Jayaratne, who returns to her hometown only to be relentlessly attacked by a league of evil exes. But it is also so much more than that. As the story progresses, we come to discover that none of these exes are evil per se, and Jala herself is incredibly fallible. She left scorched earth in all of her previous relationships in Timber Hills, and her only option now is to reconcile and take accountability with each of these exes. Her attempts to make good take the form of turn-based combat built upon RPG progression that has a unique flavor and is fun to engage with. There's even a surprisingly enjoyable skateboarding mechanic. In so many ways, Thirsty Suitors is unique and creative, but when all is said and done, what makes a lasting impact is a personal, vulnerable, and culturally nuanced tale about making things right.

As previously mentioned, you will be fighting each of Jala's exes throughout the game in turn-based combat, leveling up stats, learning new skills to make fights easier, and using summons that can be unlocked through sidequests or the main story. Each fight is a conversation, a puzzle, and a battle in one where the objective is to discover the weakness of an opponent through a process of trial and error. Once you've identified that weakness, you can inflict status ailments or deal additional damage to chip away at their health. The RPG mechanics and the process of exploring and exploiting weakness are presented as a back-and-forth between Jala and her interlocutor where old wounds are reopened and issues are hashed out until the dynamic between them evolves or resolves. This system manages to work in the foundational element of RPGs but cleverly rethinks it to also give it narrative weight. The trial and error process is one of picking dialogue options, and these can have an impact beyond the battle too. Make the right decisions and you'll come up with a plan that'll pinpoint the enemies' weaknesses through taunts, so you can easily trounce them with the use of the correct skills.

Jala's initial ambition and awareness of her wrongdoings are unique for the main character of an RPG, let alone one spearheaded by a queer South Asian woman. Jala conveys her self-awareness by internalizing that she is the one at fault in all of her previous relationships, which manifests in the game as a banter between herself and a narrator. The narrator is a voice she has conjured up that is reminiscent of her sister, Aruni, in looks, voice, and tone. This, it turns out, is also a way for Jala to grapple with her strained relationship with her sister while still having guidance internally. The dialogue between them had me laughing throughout the game's 17-hour runtime. The snide, direct, and reassuring nature of this narrator figure allows Jala to convey her struggles effectively by presenting these challen

It's a weird year for Call of Duty, as Modern Warfare 3 arrives with mostly recycled content in a game that is looking to sell you on nostalgia. However, despite being a hodgepodge of old ideas and content from previously launched games, this continuation of the rebooted Modern Warfare series still manages to deliver lots of exciting multiplayer with fast-paced movement and an extraction-style Zombies mode that keeps you hooked on the gameplay.

On paper, Modern Warfare 3 sounds like it should be suffering from a chaotic identity crisis, as it's cobbled together with many parts of previous Call of Duty games. It's a direct sequel to 2022's Modern Warfare 2, but the standard map pool at launch exclusively consists of the full map set from 2009's original Modern Warfare 2. Additionally, the game's third game mode is a Treyarch-developed Zombies experience, which plays on Warzone's upcoming battle royale map with tons of features pulled from Black Ops Cold War.

New Call of Duty games typically launch with multiplayer maps inspired by the game's campaign locations, but other than the airport map "Terminal," most of the other multiplayer maps don't tie into the campaign settings in any way. Releasing solely with old maps doesn't really do the multiplayer any favors, as longtime players like myself don't have new areas to explore and it creates a very noticeable disconnect that reminds you what a patchwork job Modern Warfare 3 really is.